Shouts of joy…trumpet blast?

What, I wonder, did the apostles expect the day our Lord led them out to the Mount of Olives? One has the impression that, despite the presence of angels, the event passed off rather quietly. There were no shouts of joy and the sound of the trumpet was not heard. Nevertheless, St Luke tells us, the disciples returned to Jerusalem full of joy, burning with the exciting news that the Lord had passed into the heavens. They may yet have had to unpack the full theological significance of what they had just witnessed, but they knew then that it was important, and not a convenient means of providing a glorious exit for a risen, glorified body from the scene.

Yet, despite the joy they were experiencing as a result of Jesus’ departure and his commission to ‘go out and proclaim the gospel’, the apostles did not start out immediately to do this. Instead, they went to Temple in order to praise God, and then to pray with Our Lady in the Upper Room, waiting for the fulfilment of the promise of the Holy Spirit, the Advocate. They had learned, at last, that nothing of the years spent with the Master, neither the suffering, doubts and surprises surrounding his Passion and Resurrection, nor the promises he made to them in the forty days after that wonderful event, would be wasted.

Had we been there, we might well have been overwhelmed by the sense of loss. “He has gone. He has left us.” Given their past performance, we should not be surprised had we read that the Twelve had felt such sentiments of abandonment and fear, rather as a small child might feel on being sent off on a long journey without its parents, uncertain and perplexed and even afraid. The fact that those men did not go to pieces denotes some growth and maturing in faith and understanding. Pieces of the jig-saw were beginning to fall into place. They rejoiced because they had understood this much; that he was indeed ‘going to prepare a place for them’. As once he had told them that ‘where I am going you cannot come’, now he had made it possible that they could, and would, follow. They understood that he was the Way to the fulness of life in God’s presence, and that that life, which is eternal life, had already begun and that in time, where he, the Head had gone, they, the Body, would follow. The doubts they had experienced on the night of the Master’s arrest and on the day of his death, had been destroyed by the power of the Resurrection. They had found that they really could trust the Lord Jesus, who had clearly demonstrated to them that he was who he said he was and that he always kept his word. The apparent loss of the Ascension teaches us too that our gain is great.

If we feel the loss or absence of Jesus, it is, perhaps, because we want to keep him here — to build for him ‘an abiding city’, a kingdom of this world, a tent to dwell in, like Peter and his friends on the Mount of the Transfiguration. But we can’t. Like him, we must move on, fulfilling and finishing our journey here. There are disappointments and tragedies, as there are triumphs and delightful surprises. I suppose our motto should “Excelsior! Onward and upward!” We don’t always see the good we do or the fruit of our commitment. How many of the saints saw nothing but their failures, while we see with the benefit of hindsight their successes.

The Ascension is truly a glorious mystery, though the glory may not be wholly apparent from where we stand. All we may see is the departure and the resulting absence — but from God’s angle, it is surely very different and that is the viewpoint we must seek to capture, if we can, by faith. The glory of this event and which we celebrate liturgically is not here, it is in heaven where our hearts are supposed to be fixed. In Christ, our humanity has found its home, once more, with God — in the bosom of the Father. Certainly there should be shouts of joy and as for trumpets blasting out the good news, why not?

“Every scribe who has been trained for the kingdom of heaven is like a householder who brings out of his treasure what is new and what is old.” Our new range of cards feature designs scanned from images in our archives, plus newly illustrated maxims from St Philip. Buy them when the Lodge is open, Monday to Friday 10:30–6pm. #oxfordoratory

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“Know this today and always, that the gift you receive today, no one can take from you.” Congratulations to our first group from our school to receive their First Holy Communion. #oxfordoratory

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Mary’s month of May

The happy birds Te Deum sing,
’Tis Mary’s month of May,
Her smile turns Winter into Spring,
And darkness into day.

Although the weather isn’t really cooperating at the moment, the signs of Spring are all about us: the trees and flowers of the University Parks are blooming, the birds are singing, and there is much excitement in the air as more bars and restaurants prepare to reopen after months of lock-down. The Ancient Greeks and Romans celebrated the Goddess of Flowers, bringer of new life, during the month of May, and the Church, always eager to take what is good in human society and “baptise” it into the service of God, dedicated this month to the Mother of God. Mary is the new Eve, through whom the life of all has come into the world in the Person of her Son.

Catholics have traditionally held “May devotions” to Our Lady throughout the month, with processions and hymns, and the crowning of her statues. We are not able to have a May Procession again this year, but we will have our usual May Devotions next Tuesday after the evening Mass. As May is Mary’s month, and a special month of hope and new life, the Holy Father has asked all of us to enter into a “marathon of prayer” to Our Lady to ask for an end to the pandemic and “the resumption of social and work activities”. Each day of this month has a particular prayer intention, and has been assigned to a different Marian shrine throughout the world, beginning on 1 May with the Shrine of Our Lady of Walsingham here in England. The Pope has called on us to recite the Rosary and join our prayers with those the whole Church to our Mother who cares for all of her children, but especially those who suffer or who are alone and afraid.

Here at the Oratory we have the shrine of Our Lady of Oxford, Mother of Mercy. Blessed Pope Pius IX gave a painting of Mary to a young Oxford gentleman, Hartwell de la Garde Grissell, in 1869, and granted special indulgences to those who prayed before it. When Grissell died in 1907, he left the image of Our Lady of Oxford to St Aloysius’ church, on condition that a special chapel be built to house it. From that time, there has been great devotion to Our Lady in the Relic Chapel of our church — especially during exams! — and countless people have visited her here to ask her intercession and receive the hope and comfort that Our Blessed Mother gives us. While the shrine of Our Lady of Oxford is not listed as one of the major shrines in the world for the Holy Father’s special prayer initiative this month, nevertheless it is a very appropriate place for us to turn to the Mother of Mercy and implore her prayers. Today we need those prayers more than ever, and we know that in all our struggles and difficulties, she is there with her protective mantel to shield us from all harm. If we trust in Mary, we need have no fear, for a loving Mother will never abandon her children.

In addition to asking us to pray the Rosary, the Holy Father has composed a prayer to be used each day of May:

We fly to your protection, O Holy Mother of God.

In the present tragic situation, when the whole world is prey to suffering and anxiety, we fly to you, Mother of God and our Mother, and seek refuge under your protection.

Virgin Mary, turn your merciful eyes towards us amid this coronavirus pandemic. Comfort those who are distraught and mourn their loved ones who have died, and at times are buried in a way that grieves them deeply. Be close to those who are concerned for their loved ones who are sick and who, in order to prevent the spread of the disease, cannot be close to them. Fill with hope those who are troubled by the uncertainty of the future and the consequences for the economy and employment.

Mother of God and our Mother, pray for us to God, the Father of mercies, that this great suffering may end and that hope and peace may dawn anew. Plead with your divine Son, as you did at Cana, so that the families of the sick and the victims be comforted, and their hearts be opened to confidence and trust.

Protect those doctors, nurses, health workers and volunteers who are on the frontline of this emergency, and are risking their lives to save others. Support their heroic effort and grant them strength, generosity, and continued health.

Mary, Consolation of the afflicted, embrace all your children in distress and pray that God will stretch out his all-powerful hand and free us from this terrible pandemic, so that life can serenely resume its normal course.

To you, who shine on our journey as a sign of salvation and hope, do we entrust ourselves,
O Clement, O Loving, O Sweet Virgin Mary. Amen.

If you would like to follow the daily prayer intentions, the list of shrines can be found here.

New Director of Music

The Fathers of the Oratory are pleased to announce the appointment of our new Director of Music, Rory Moules. Rory has been immersed in the world of Catholic music from a young age, moving to Oxford in 2014 as organ scholar of Keble College under Matthew Martin. While completing further studies at Oxford, Rory has held the posts of Organ Scholar of The Queen’s College, Director of Music at Corpus Christi, and, most recently, Associate Organist at Magdalen College and Assistant Organist here at the Oratory since 2019. Rory has served as acting Director of Music for the last year while a selection and recruitment process (repeatedly delayed by the pandemic) could be completed. Rory’s work with the Oratory choir speaks for itself. Hundreds of worshippers in church and online from around the world were treated to some of the best liturgical music in the country over the course of Holy Week earlier this year. Music is such an important part of the life of the Church, and of the Oratory in particular, and we are grateful for Rory’s achievements in keeping the sacred liturgical action on the sanctuary fittingly accompanied throughout the last months in spite of all the safety restrictions in place. With this appointment comes also a renewed commitment to invest in the future of Catholic music, following the principle that only our best is good enough for God.

Rory says: ‘Having the opportunity to contribute to music at the Oratory over the past year has been fantastic. Holy Week this year has been a particular highlight. It is a complete joy to work with such talented, committed and friendly musicians. The Oratorian musical repertoire has fascinated me both as a performer and academic for many years. It is a privilege to perform these great works of sacred music for a congregation that appreciates their beauty. I am very aware of the enormous responsibility involved in directing music here, which contributes so much to the sacred liturgy, especially being the youngest person to take on the role so far. But I am looking forward to building on the work of my predecessors over the coming years, and continuing to develop the reputation of the Oxford Oratory for musical excellence.’

May Music

Sunday 2 May Solemn Mass 11:00
5th Sunday of Easter
Missa Ut re mi fa sol la Morales
Christus resurgens Richafort
Ego sum panis vivus Esquivel

Tuesday 4 May Solemn Mass 18:00
The English Martyrs
Mass for Four Voices Tallis
Sancte deus Tallis

Sunday 9 May Solemn Mass 11:00
6th Sunday of Easter
Missa brevis in C Mozart
Regina Caeli a 4 Palestrina
Ave verum Mozart

Thursday 13 May Solemn Mass 18:00
The Ascension of the Lord
Missa O Rex gloriae Lobo
Viri Galilaei Byrd
O rex gloriae Marenzio

Sunday 16 May Solemn Mass 11:00
7th Sunday of Easter
Missa Octavi toni Lassus
Ascendit deus Philips
O sacrum convivium Croce

Sunday 23 May Solemn Mass 11:00
Pentecost
Missa Dum complerentur Palestrina
Dum complerentur Palestrina
Loquebantur variis linguis Philips

Tuesday 25 May Solemn Vespers 18:30
Our Holy Father St Philip Neri
Pangamus Nerio Sewell
Magnificat primi toni Bevan
Respice de caelo Sewell

Wednesday 26 May Solemn Mass 18:00
Our Holy Father St Philip Neri
Missa Papae Marcelli Palestrina
Ave Jesu Christe Philips
Laudibus in sanctis Byrd

Sunday 30 May Solemn Mass 11:00
The Most Holy Trinity
Messa a 4 voci da Cappella (1650) Monteverdi
O beata et benedicta et gloriosa Trinitas Palestrina
Ave verum Lisz

St Philip’s Patronage

In the Refectory recently, the Fathers finished reading “An Elephant in Rome” by Loyd Grossman, on the life and work of the sculptor and architect, Gian Lorenzo Bernini. It is a greatly entertaining tale of intrigue, feuding and politics all intertwined with the Catholic faith. The great Oratorian “and tastemaker of the Counter Reformation” Fr Virgilio Spada gets an honourable mention or two. The overriding theme, however, is that the wondrous beauty of Bernini’s works was only possible with the help of God and his patrons. Patrons in renaissance Europe had a very particular function. For the good of society, and the glory of the Church, for the inspiration of the masses, they took under their wing artists, poets, dramatists and musicians to help them create something beautiful — something beautiful for God. They coached them, the gave them financial support, and they spoke on their behalf to the great and the powerful. Yesterday we kept the feast of the patrocinium of St Philip — his patronage of our Oratory in this city. The feast marks the anniversary of the decree which established this House as an Oratory in its own right, independent from the Fathers in Birmingham. But by keeping it we are not just marking an anniversary alone, but marking something ongoing, and that is the spiritual patronage of our Holy Father St Philip of the Oratory here in Oxford. And of course when we think of the Oratory family, that patronage extends to all of those associated with it too.

For the Oratory Fathers, St Philip shows not just a model of priestly virtue and devotion to the Mass but also an exemplar of the gentle care of souls, each according to their own needs. And whilst very few of us will even measure up to the virtue of our Holy Father, he is a marvellous example and patron. The idea of the patronage of St Philip for all of us associated with the Oratory is a beautiful one. Just as the great patrons of the arts in his own day (of which he was one) coached their clients, gained for them the support they needed to excel in their art, and spoke on their behalf to the powerful, so he does for us. As they strove to create something beautiful for God under their patron’s watchful guidance, so St Philip guides us. For us Christians today, our art is the excellence in virtue to which we are called. The something beautiful for God that we are called to build is, of course that life of holiness and virtue which is our path to sainthood.

As our patron, St Philip acquires for us the graces we need to grow in strength. He is our guide and intercessor, speaking on our behalf to the Lord. He is still now a spiritual father, and all the qualities of gentleness and encouragement he showed in his life on earth are now perfected in heaven as he exercises them for his spiritual children here below. To paraphrase a lovely line in one of the hymns to him, St Philip asks not our all but takes whatever we spare him, leading us on from good to better

And so we should get to know him better. We should, as the prayer of Cardinal Baronius exhorts us, take him as a pilot of our lives, to steer our little ship away from sin and temptation and into the calm waters of holiness. May he bless this Congregation with many holy priests, to better serve the family of St Philip who come here. And may our Holy Father St Philip, powerful intercessor and friend, bring all of us who place ourselves under his patronage to that heavenly bliss which was the sole aim of his life.